Crashpop is an intersection of contemporary art, music, photography, robots, YouTube, graffiti, technology and net.art with politics, psychology, journalism and the can-do spirit of the DIY spiderweb.
Some summer-feeling music in time for moping around on the Fourth of July. New (Beach boys-ish?) Sigur Ros, some unsigned bands from Vancouver, African Highland music and some 40's French crooning.
The Wikipedia article on Soviet Hip-Hop is an interesting read. Mostly, hip-hop didn't penetrate the Iron Curtain until the end days of the USSR. At that point, a Russian producer eyed American pop music and observed the New Kids on the Block phenomenon, and pieced together a band of breakdancers who could be taught to rap, and manufactured them into a Soviet version of NKOTB, called Malchishnik.
The problem is that the lyricist and lead DJ, Dolphin, was influenced by explicit, obscene American acts like 2 Live Crew - and proceeded to lead the group in that direction, with such gems as "Sex Without a Break" and "Miss Big Breast."
Regardless, Malchishnik ended up achieving a degree of commercial success that cemented them as the pioneers of the hip-hop sound in the Soviet Union.
Here's the video for "Sex Without a Break:"
While censorship in Russia kept Malchishnik off the airwaves in '91, post-collapse media restrictions have been even more rigid, sending Malchishnik "underground," or, that is, into the dustbin of cultural irrelevancy. The sound and style seems to have endured through imitation, with the explicit lyrics tossed out for rap groups seeking commercial success in Russia.
Another robot-rock band, this one designed by Jeremy Boyle, who used to play with the post-rock, what-we-used-to-call-emo band, Joan of Arc. The videos aren't embeddable, but well worth checking out, patricularly the one right here.
This fits into my jurisdiction, I'd say: New-Zealand based Garage-Rock band, The Trons, consists of robots that play instruments. Details are hard to come by, but all you need to know is: Kiwi robots rockin' out. Go be one of their first 30 friends on Myspace.
Brought to my attention by Nerdcore, my favorite means of doing German homework.
At Prof. Shigeru Watanabe’s laboratory, pigeons could discriminate paintings of a certain painter (such as Van Gogh) from another painter (such as Chagall). Furthermore, pigeons could discriminate other pigeons individually, and also discriminate stimulated pigeons that were given stimulant drugs from none. In this experiment, pigeons could discriminate video images that reflect their movements even with a 5-7 second delay from video images that don’t reflect their movements. This ability is higher than an average 3-year-old human. According to a research by Prof. Hiraki of the University of Tokyo, 3-year-olds have difficulty recognizing their self-image with only a 2 second delay." - Primidi (blog)
The next experiment will involve pigeons and children going head-to-head.
This is the coolest thing I think I've seen in a few months.
It's not a music video or just a remix. It's a music video documenting the production of a remix for Radiohead that uses only a printer, scanner, a broken hard drive and useless, tape-driven computer (that enormous squeal you hear at the beginning is the sequence itself being loaded, care of a tape-drive, and including it is a nice touch, but you'll probably want to wait for it to stop before passing judgement on this video).
Related, albeit definitively less cool music-wise but equally cool nerd-wise, is The Graphite Sequencer by Caleb Coppock, which I found out about here.
Caleb uses wires to brush over graphite on disks; as a result, you can "play" drawings. The result is less pleasing in terms of sound than the Radiohead piece, but fun to look at.